
Dorothy Bird — Biography
The Sound
“Characteristically individual” — Neil March, Fresh On The Net
Berlin–Liverpool-based art-pop artist Dorothy Bird blends ethereal warm synths, acoustic intimacy, and poetic depth into haunting, heartfelt songs. Her music inhabits the space between worlds — where piano, electric guitar, and drums meet shimmering electronics, layered harmonies, strings, brass, and her distinctive, otherworldly voice.
Already compared to Portishead, Björk, and Thom Yorke, her critically acclaimed debut album Belonging (2022) was praised as “uplifting and haunting” (Joyzine) and “masterful” (fifty3). With support from BBC Introducing, BBC Merseyside, Tom Robinson’s BBC6 Music Mixtape, and a standout performance at Liverpool’s Yoko Ono Lennon Tung Auditorium, Dorothy continues to create cinematic, emotionally resonant music that invites stillness, soothes the soul, and offers moments of calm, connection, and reflection amidst the chaos of the world.
The Journey
Born in East Berlin and shaped by time in Bulgaria, Dorothy absorbed rich choral traditions before studying music at the Hochschule für Künste Bremen. During her studies, she lost her mother — and soon after, temporarily lost her voice. In that silence, songwriting became her lifeline: a way to express what could no longer be spoken, turning pain into poetic power. Her voice returned, and with it, a renewed sense of purpose.
After completing her studies, she moved back to Berlin and later to Liverpool to fully immerse herself in a life of composing, recording, and performing. In Liverpool, she began a close collaboration with producer Jon Lawton at Crosstown Studios, whose sensitive and spacious production style helped shape the immersive sonic identity of her debut and forthcoming albums.
The Music
Her debut album Belonging (2022) explores identity, belonging, and transformation, combining piano, synthesizers, electric guitar, strings, and electronica with her signature vocal tenderness. The album, released on 12” gatefold vinyl and digitally, received widespread acclaim:
“Her voice shimmers and soars… so powerful, so dignified, so pure.” — Pennyblackmusic
“Sounds magnificent.” — Dave Monks, BBC Introducing
Dorothy’s earlier EPs, including Out of the Dark, already revealed her ability to craft atmospheric, emotionally charged worlds — a talent she continues to evolve.
Whispering Paper
Her second album Whispering Paper (Crosstown Records, 3 May 2025) opens new doors into emotional landscapes — dreamlike, profound, and deeply resonant. Written in the wake of personal loss, the album radiates quiet resilience and a deep love for life.
“When my sister passed away in 2023, it was like the shell of everyday life cracked open,” says Dorothy. “All emotions became louder, more defined. There was a new sensitivity — for the world around me, and within.”
Each of the ten tracks on Whispering Paper holds its own universe — from the cathartic beauty of You Were, written for her sister, to Yes Maybe, a song exploring indecision sparked by a real-life misunderstanding from her youth. The album reflects on intergenerational connection and memory in Around the Corner, present-moment awareness in All My Time, inner transformation and resilient strength in Ride the Storm and Soaring, and dreaming of what connects us in Dream With Me.
The title comes from a lyric in Meteorites:
“Telling whispering paper things that I love” — a line that encapsulates the intimate act of letting the inner self speak.
Beyond the Studio
Dorothy has performed at international festivals and venues including Liverpool’s Yoko Ono Lennon Tung Auditorium, The Music Room at Liverpool Philharmonic, Berlin’s Wintergarten, Kunstfabrik Schlot and Chamäleon, and Threshold Festival.
Her creative collaborations extend across disciplines: composing for theatre, dance, and contemporary circus projects such as 7 Women Company and Kathrings, and contributing to the music collective Skylon.
The Invitation
Whether on stage or in the studio, Dorothy Bird invites listeners into a world where sound becomes solace and music becomes memory — a mirror to the human experience, bathed in light and longing.
For Press & Promoters:
Live Videos
Ghosts
Belonging
Belonging – with strings
Falling Apart – with strings
Forgot
Change
Under Water
Out of the Dark
Music Videos
Meteorites
Belonging
Kaleidoscope
Forgot
The Evening
Releases To Date
Dream With Me — Single (from Whispering Paper), 2025
Yes Maybe — Single (from Whispering Paper), 2025
Meteorites — Single (from Whispering Paper), 2024
Belonging Live Sessions — Album (CD), 2023
Belonging Sessions — Live with Strings at Crosstown Studios — EP, 2023
Belonging Sessions — Live with Band at Crosstown Studios — EP, 2023
Belonging — Album (Vinyl & Digital), 2022
Kaleidoscope — Single (from Belonging), 2021
Forgot — Single (from Belonging), 2019
Under Water — Single (from Belonging), 2019
Out of the Dark — EP, 2018
Flowers — Single, 2017
Falling Awake — EP, 2015
Releases Stage Music
‘Wabi~Sabi’ – Dorothy Bird meets Circus Sonnenstich // LP 2018
Line Up
Julia Fiebelkorn aka Dorothy Bird
– singer, songwriter, piano, synths, production
plays in various formations solo, in a duo with guitar, in a trio with guitar and drums and/or plus string section:
Jon Lawton (UK) – guitar, production
Ryan Mallows (UK) – drums, drum machine
Dorothy occasionally performs with strings for special concerts and events.
Contact
Booking
PR
Alan O’Hare
Press
Interviews
With Matthew Jacobson / Explore Liverpool
With Matt Jacobson / Explore Liverpool (on the release of the debut album)
With Steve Kinrade / Liverpool Noise
With Del Osei-Owusu / Fresh on the Net
What Critics Say
“Heartfelt and the unburdening of truth.” – Ian D. Hall, Liverpool Sound and Vision
“In a world filled with noise, few artists dare to embrace quietness with the kind of fearless intimacy that Dorothy Bird achieves with Whispering Paper… a glowing, emotionally captivating piece of work that resonates with the soul.” – Helen Maw, Liverpool Acoustic
“Haunting, other-worldly…Dorothy Bird has a gorgeous voice and some serious musical talent.” – The Voice Magazine
“Bird can breathe out a line like a whisper, annunciate the last letter of a line or soar to dizzying heights while never losing the emotional truth of a song.” – Joyzine (about ‘Meteorites’)
“Characteristically individual… lovingly arranged.” – Neil March, Fresh On The Net
“A beguiling listen that encourages conversation and exchange in polarising times” – Liverpool Acoustic (about the album ‘Belonging’)
“Her voice shimmers and soars above her music, a music by way of some alchemical process connects to the heart and releases evocations of memory that then confront you… So powerful, so dignified, so pure.“ – Pennyblackmusic
“sounds magnificent“ – Dave Monks BBC Introducing
“characteristically individual…lovingly arranged” – Neil March, Fresh on the Net
“Belonging is a masterful piece of work” – fifty3
“Uplifting and haunting… Belonging is grown-up music from an artist who has one of the finest voices you will hear” – Joyzine (about the album ‘Belonging’)
“Dorothy Bird schwebt auf ihrem Debüt-Album „BELONGING“ in außerirdische Sphären… Musikalische Seelsorge” – Untoldency
“Lots of ear candy here… an album of beautiful performances on each track” – Platinummind
“this is haunting“… piano, deep bass… the vocal. Oh, this is beautiful.“ – Del Osei-Owusu, Fresh on the Net
“An engaging, outstanding debut album” – Liverpool Sound & Vision
“a wonderful single…gets under the skin” – Liverpool Sound & Vision about the single ‘Under Water’
“It is certainly also both epic and cinematic. Gorgeous too.” – Trust The Doc, Neil March
“Aided by a beautifully haunting arrangement, Forgot is the guardian of the soul, one that never neglects to remind us of who we are.” – Liverpool Sound and Vision about the single ‘Forgot’
EN: “playful layers of sound on top of each other. Wonderful”
DE: ”Ihr Sound poppig, mit dieser nordischen Attitüde, verspielte Klangschichten aufeinander zu häufen. Wundervoll.” – Inforadio/RBB